The shop is dimly lit. Paintings cover all of the golden walls
and when they cannot fit, they lean against bureaus and the wall. At the center
is a queen on a red throne. Other paintings in the room include still life,
landscapes, round portraits, feasts, and religious images. Above the paintings is
a wooden ledge where small colorless statues either lay down or stand up. They
vaguely resembled ancient statues of gods and goddesses, frozen in different
positions.
Fresh
flowers in a vase were freshly placed on a table to the right and sea shells
were collected and displayed on the center bureau. In the center of the wooden
floor is a small monkey. He is tied to a stool and leaves an apricot along with
its pit on the ground, waiting to finish it when he gets hungry again. A couple
feet over, a small dog rests. She examines the monkey, not wanting to take her
eyes off of this strange new collection item.
Three men sit at a desk in the
corner of the room. Two of them lean over a large book and argue over its
contents. One man accuses the collector of ignorance by pointing to his brain. The
collector, shocked that this allegation applies to him, points to himself. Another
book is opened out to the viewer, the page is turning itself, as if we are
reading in this space as well. The third man sits in the shadows. He looks
directly at the viewer, inviting us into the antique shop and to view more
paintings than are already around us. Did the paintings we see around us come
from a collection like this?
(Borghese Gallery, 6/5/19, Frans Francken il Giovane, La Bottega Di Un Antiquario, 1615-1620)
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